Franz marc artist8/4/2023 Two Horses, Red and Blue, Franz Marc, 1912 The animals on his canvases turn red, green, yellow, blue, and the landscape that serves as their background is very conditional. Gradually, Franz Marc came to his own creative style – he begins to create in the style of expressionism. Blue Horse, Franz Marc, 1911įranz Mark’s early works are still distinguished by naturalistic features, a natural palette, although even then the artist strove to rhythmically generalize forms in the spirit of symbolism. In their eyes, the artist was looking for answers to the eternal questions of life. He considered animals to be higher beings, personifying harmony, cleaner in comparison with man. Franz Marc carefully studied their anatomy from books, could watch animals in the zoo for days. The artist had a rare talent for depicting animals. None of these fantasies came true – a completely different fate was waiting for Franz Mark. As a child, he dreamed of the work of a village priest, in his youth – of a marriage out of pity, towards the end of his short life – of the purification of the world by war. Jumping Dog Schlick, Franz Marc, 1908įranz Moritz Wilhelm Mark was always a dreamer who loved horses and talked to his dog. Franz Mark did not observe the animals from the outside but looked at the world through their eyes.įranz Marc’s paintings are characterized by sharp color transitions, a bright, clean palette, tense, harsh forms, often cubist – in later paintings. The artist painted animals all his life, considering them to be higher beings and trying to find in their lives a special feeling of oneself inside nature, lost by modern man. Franz Marc, an artist, not a priestįranz Marc (February 8, 1880, Munich, Germany – March 4, 1916, Verdun, France) is a German expressionist painter who, together with Wassily Kandinsky, founded the art association and almanac “The Blue Horseman”. The terms of the restitution of the work are not indicated. In April, when the Cultural Commission unanimously decided to return Franz Marc’s painting, the city of Düsseldorf announced that it was preparing to send the painting to the heirs. However, a group of experts from Düsseldorf determined that “the place is becoming secondary” because Gravi’s situation was so closely linked to the persecution of Jews in Germany. But, this standard does not necessarily apply to the Franz Marc painting Die Füchse. Usually, works were considered duress sold if their owners rejected them when the Nazis took power in Germany and other parts of Europe. Since the Franz Marc painting was sold in the US, the restitution of Die Füchse was closely watched by experts as the US was never under Nazi control or influence. German department store owner Helmut Horten bought it in 1961 and donated it to the city of Düsseldorf a year later. The Franz Marc painting Die Füchse was soon smuggled out of Germany, where it was auctioned in New York in 1940 to director William Dieterle. It is estimated at between $ 18 million and $ 36 million and was previously owned by Kurt Gravi, whose businesses and property were seized by the Nazis in 1935.Īfter several weeks of internment in a concentration camp in 1938, he wrote in 1939 about using the proceeds from the sale of Die Füchse to support emigration from Germany. The Franz Marc painting in question, Die Füchse (Foxes), dated 1913, has long been on display at the Kunstpalast Museum in Düsseldorf. According to DPA, the prosecutor’s office requested new documents and opened a criminal case against the council, which recommended that the painting be returned. They are delaying returns, which could open the door for many more similar cases. German press agency DPA reports that bureaucratic deals have effectively put restitution on hold. They sold it during World War II.īut, this return has not happened yet. In April, Düsseldorf, Germany decided to return the Franz Marc painting to the heirs of a Jewish businessman.
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